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BIOGRAPHY
Hervé Youmbi is one of Cameroon’s most acclaimed and internationally prominent artists. His work broadly explores the reception and commodification of African art forms in the global contemporary art world, in international markets for “traditional” African art, and in local Grassfields communities of Western Cameroon.
Hervé Youmbi was born in Bangui, the capital city of neighboring Central African Republic, in 1973, although his family is from Fondanti, one of the many Bamileke kingdoms in the Grassfields region of neighboring Cameroon. After his family returned to Cameroon, settling in the industrial port city of Douala, he began taking formal art classes as a teenager. He attended Cameroon’s only dedicated art school at the time, IFA (Institut de Formation Artistique) (1993-96), studying art theory and installation art, which he later pursued, through both practice and research, in France at ESAD (Ecole Supérieure des Arts Décoratifs de Strasbourg, renamed Haute Ecole des Arts du Rhin). While there, he produced his first video work (2000-2001).
While Youmbi’s studio is in Douala, his research-centric artistic practice routinely takes him to the Grassfields to participate in ceremonies and collaborate with the sculptors, beaders, and ritual specialists, whose work he supports and integrates into his own. Juxtaposing indigenous African art traditions with contemporary global art conventions to destabilize the dichotomy is a key strategy of Youmbi ‘s series “Visages des Masques/Faces of Masks”. A departure point is to create and insert mask forms that diverge from the Western stereotypes of “African Art” for this region of Cameroon into local “traditional” Bamileke ritual performances, thus embodying these “foreign” forms with efficacy and making them authentic to the Bamileke context.
Youmbi’s “Les Trônes Célestes” is an installation of beaded caryatid thrones “traditional” for rulers of the Cameroon Grasslands, each seat of power supported by an animal traditionally symbolic of idealized leadership—except for the tortoise that Youmbi has slyly inserted here to suggest that the deliberate creature might better epitomize leadership than, say, the leopard, a stealthy killer. Inscribed in reverse in the beading underneath each stool is a Cameroonian proverb about leadership, which would be invisible and illegible except for the fact that Youmbi suspends the stools above glass mirrors so that the truth they bespeak can be read by all. The fragility of ideals of stewardship hang in the balance of the framework that Youmbi has constructed. Hervé Youmbi has ceremonially gifted most of these thrones to Cameroonian kings, so if and when they are exhibited as art works, it is necessary for the venue to become involved in diplomatic arrangements with the Cameroonian rulers.
Notions of circulation run through Youmbi’s work. By traveling sculptural works that have been ritually enacted in “the field” in Cameroon into art galleries and museums, and making allowance for them to return to the “field” afterward if their new owners desire, he challenges the permanence and function of art works in museums, and breaks the dichotomy between African “classical art” and “contemporary art.”
Bamileke communities participating in Youmbi’s projects have awarded him with honorific titles for his support of local institutions. Hervé Youmbi also is one of the original five founding members of Cercle Kapsiki, a Cameroonian artist group established in 1998 that endeavors to enrich art education and programming in the country through artist-to-artist networks, exhibitions, residencies, and international commissions. The K Factory, the collective’s home, based in New Bell, one of the poorest but also one of the most dynamic districts of Douala, is a flexible space, experimental and open to a wide range of collaborations.
Hervé Youmbi has been hosted on several artist residencies, which have facilitated his research of historical African art in European and American museum collections. Listed below are a selection of his numerous international exhibitions and public collections showing his work.
CV
EDUCATION AND TRAINING
2000 – 2001
Ecole Supérieure des Arts Décoratifs (ESAD) Strasbourg / France
1993 – 1996
Institut de Formation Artistique (IFA), Mbalmayo / Cameroun
AWARDS/FELLOWSHIPS/RESIDENCIES
2025
Recipient of the SAM Prize for Contemporary Art, Paris France.
Hosted by Global Scholar in Residence program, Vanderbilt University Museum of Art in partnership with the Frist Art Museum, Nashville Tennessee, in association with New African Masquerades: Artistic Innovations and Collaborations
2023
Residency at the North Carolina Museum of Art, in association with New African Masquerades: Artistic Innovations and Collaborations, A NEH funded exhibition in development. March 26-May 30, 2023
Residency at theThe Menil Collection, Houston, TX, in association with Art of the Cameroon Grassfields, A Living Heritage in Houston, February 4-March 18, 2023
2022
Research residency, Fondation Studio Rizoma, Palermo, Italy. June 2022.
2021
Research fellow “Provenance Research on Non-European Collections and Ethnology in Lower Saxony” (PAESE) in conjunction with Municipal Museum of Brunswick and the State Museum Hanover, Germany
Residency at the Théodore Monod African art museum at IFAN / Ucad, Dakar Part of the research project workshop of “Epistemological Troubles” in order to explore a project (work and / or exhibition) for the year 2022. July 2021
Residency as member of the artist collective “Cercle Kapsiki”. Institut Français, Cité International des Arts, Paris, France. January 15 – April 10, 2021
2017/18
“Into Nature : Out of darkness” Creative residency Groningen/ Netherlands
2016
Muenster Skulptur Projet. Résidence to crête a public art installation in Muenster/ Allemagne
2015
Emancipation Stories / Mémoires libérées, artist-in-residence program, Gorée island and Saint Louis, Senegal.
2014
Bandjoun Station » residency to create the installation Visages de Masques. Bandjoun/ Cameroon
Bakassi peninsul’art, International workshop of artists from Nigeria and Cameroon in the fishing villages of Limbé, Tiko and Edinao / Cameroon
2013
Master Class video 2, Art Bakery, Bonendale, Douala / Cameroon
2012
Recipient of the Smithsonian Artist Research Fellowship,” Washington D.C. / USA
2009
Winner of “Visas pour la création” a program of Culturesfrance program of Afrique et Caraïbe en création
COLLECTIONS
Bowdoin College Museum of Art, Brunswick, ME, USA
Cleveland Museum of Art, Ohio, USA
The Chrysler Museum of Art, Virginia, USA
The Menil Collection, Houston, Texas, USA
Newark Museum, New Jersey, USA
New Orleans Museum of Art, Louisiana, USA
Royal Ontario Museum, Toronto, Canada
Smithsonian National Museum of African Art, Washington D.C., USA
Stanley Museum of Art, Des Moines, Iowa, USA
Williams College Museum of Art, Williamstown, Massachusetts, USA
LWL Museum für Kunst und Kultur, Münster, Germany
Yasmine and Peter König collection, Germany
FUTURE PROJECTS
- New African Masquerades: Artistic Innovations and Collaborations, New Orleans Museum of Art. Curators: Amanda M. Maples, Jordan Fenton, Lisa Homann, Hervé Youmbi. San Antonio Museum of Art (San Antonio, TX): February 28-July 5, 2026; Musée de civilizations noires, Dakar, Senegal, May 12, 2026; Museum of Fine Arts, St. Petersburg (St. Petersburg, FL): September 18, 2026-January 11, 2027. National Museum of African Art, Smithsonian Institution (Washington, DC): February 19-September 26, 2027.
- Lauréat in Residence, SAM prize for Contemporary Art, culminating in a solo exhibition, Paris, France. Spring, 2026
SOLO SHOWS
2023
Art of the Cameroon Grassfields, A Living Heritage in Houston, The Menil Collection, Houston, TX. Curator: Paul Davis. February 17-July 9, 2023
2019
“The Burden of Memory: Considering German Colonial History in Africa”. Curators: Rose Jepkorir, Princess Marilyn Douala Manga-bell and Nontobeko Ntombela. Yaoundé, Cameroon, November 10 – 16, 2019.
Hervé Youmbi, Masks on the Move, La Chaufferie, galerie de la HEAR, Strasbourg, France, March 1-17, 2019
2016
Visages de Masques, Doual’art, Douala / Cameroon
Visages des Masques: Dak’art Off, Dakar. Senegal
2015
Emancipation Stories / Mémoires libérées artist-in-residence program, Gorée island and Saint Louis, Senegal, 6 to 26 November, 2015
Lumières D’Afriques, Théâtre National de Challot, Paris, France, 4-24 November, 2015
Stories tellers: “Visages de masques” Bandjoun Station (museum and contemporary art center) Bandjoun / Cameroon
2014
“08-08-1914 / 2014” exhibition “ça-me-dit martyrs” au Carré des artistes, Douala/ Cameroon
“In the name of the father, the son and the holy constitutional monarchy“, Doual’art, Douala / Cameroon
2011
Totems to Haunt our Dreams. Bas les masques: Art contemporain africain, Guyancourt, Totems to Haunt Our Dreams. Axis Gallery, New York City and New Jersey, in association with SPARCK and Submergedart
2010
Ces totems qui hantent les rêves des fils de Mamadou
SPARCK @ Institut Français Léopold Sédar Senghor – Dakar / Senegal
SPARCK @ Point Blank Gallery / Drill Hall – Johannesburg / South Africa
CulturesFrance & SPARCK @ Médiathèque des Diasporas – Cotonou / Benin
2009
Rue Um Nyobé. Culturesfrance & Scu2 @ Traces Belleville – Paris / France
Les ombres enchantées. Liquid Project – Douala / Cameroun
2008
Face 2 Face. Doual’art –Douala/ Cameroun
2007
The Window of My Soul. Centre Culturel Français de Yaoundé – Yaounde / Cameroon
Ascèse. Agence Ascèse @ Doual’art – Douala / Cameroon
My Family Album 1. British Counsel – Douala and Yaounde / Cameroon
2005
N° 1234. Doual’art – Douala / Cameroon
2000
2006080700. Doual’art – Douala / Cameroon
1999
Visages de chaises. Alliance Française de Dschang – Dschang / Cameroon
1998
Présence. IFA – Mbalmayo / Cameroon
1997
My Own Dream. Antoine François ASSOUMOU Foundation – Yaounde / Cameroon
GROUP SHOWS (SELECTION)
2025
New African Masquerades: Artistic Innovations and Collaborations, New Orleans Museum of Art. Curators: Amanda M. Maples, Jordan Fenton, Lisa Homann, Hervé Youmbi. New Orleans Museum of Art (New Orleans, LA): April 4-August 10, 2025. Frist Art Museum (Nashville, TN): October 10, 2025-January 4, 2026.
Kings and Queens of Africa. Louvre Museum, Abu Dhabi, January 27 — May 25, 2025
2024
Nothing too Beautiful for the Gods / Rien de trop beau pour les dieux, Fondation Opale, Lens, Switzerland, December 15, 2024 -April 20, 2025
Buddha Mantra, Chiba Prefecture 150th Anniversary Commemorative Project Hyakunengo Art Festival-Environment and Desire- Uchiboso Art Festival” Ichihara City, Japan. March 23 – May 26, 2024
2023
Environment and Desire. Chiba Prefecture 150th Anniversary Commemorative Project Hyakunengo Art Festival, Uchiboso Art Festival”, Ichihara City, Japan. March 23 – May 26, 2024
2022
Homecoming: About Face: African Masks in Iowa, Stanley Museum of Art, IA, Aug. 26, 2022—July, 2025
Reimagining the People’s Collection, North Carolina Museum of Art, Sep. 2022—
Entrelacs/Interlaced, Cité International des arts, Paris. June 3-July 14, 2022
Teg Bët Gëstu Gi , Biennale OFF Dakar, Museé Theodore Monod d’art Africain, Senegal, May 21 – June 21, 2022. Curators Emmanuelle Chérel & El Hadji Malick Ndiaye
Sur la Route des Chefferies du Cameroun. Du visible a /’invisible. Musée du quai Branly -Jacques Chirac. April 5th 2022 -July 17th 2022.
“CONTACT(S) ZONE” National Museum of Cameroon, Yaoundé. January 12 -April 30, 2022
2021
“Prospective” Goethe Institute, Yaounde, Cameroon, Oct. 23 – Nov. 11, 2021
“Se Souvenir du Présent, esprits de l’assemblage”, Centre régional d’art contemporain de Montbéliard, (Le 19 CRAC). France. Curators: Anne Griffon-Selle & Arnaud Zohou. Sep 25, 2021 – Jan 16, 2022
“RETOUR, À la recontre de l’Afrique contemporaine” exhibition curated by Sylvain Nzefa and Mélanie Vietmeier, (Africa2020) L’ATELIER, Nantes, France. May 25, 2021.
“Les fables du callou” Cercle Kapsiki in conjunction with Garage MU (a French collective) will collaborate on a project creating numerous sound installation stations in the neighborhood of la Goutte d’or. Sound stations open to the public April 8, 2021.
“Hey Hamburg, do you know Duala Manga Bell? The exhibition for young people”. March 30, 2021 – December 2022
Zone Franche, exhibition, partnership of l’Institut des Cultures d’Islam, Think Tangier & Doal’art, Paris, France. Africa 2020 Season. February 3 – August 1, 2021.
Cercle Kapsiki in conjunction with Garage MU (a French collective) will collaborate on a project entitled “Les fables du callou” creating numerous sound installation stations in the neighborhood of la goutte d’or. Sound stations open to the public April 8, 2020.
2020
The Presence of the Past: Art from Central and West Africa, Bowdoin Museum of Art, Brunswick, Maine, USA, August 14, 2020 – December 18, 2021
Lumières d’Afriques. Standard Bank Gallery, Johannesburg, South Africa. Feb. 21 – April 9
2019
The Burden of Memory: Considering German Colonial History in Africa. Curators: Rose Jepkorir, Princess Marilyn Douala Manga-bell and Nontobeko Ntombela. Yaoundé, Cameroon, November 10 – 16 2019.
Aujourd’hui. National Museum, Yaounde, Cameroon. Curated by Simon Njami, assisted by Mohamed Cisse, June 20, 2019 – February 20, 2019
2018
Into Nature: Out of Darkness. Biennial. Drenthe, The Netherlands. July 1- September 16, 2018
“Feedback: Art, Africa and the Eighties”. Iwalewahaus, University of Bayreuth, Germany. April 28, 2018 – May 5, 2019
Our Anthropocene: Eco Crises. Center for Book Arts, New York. January 19, 2018 – March 31, 2017
2017
Arts of Global Africa reinstallation, Newark Museum of Art, New Jersey Dec 8, 2017–2022
UNMASKED. Axis Gallery, New York, October 26 – November 18, 2017“Nevralgies”, curated by Simon Njami, la galerie du Manège, French Institute, Dakar Senegal
“Les masques célestes” Skulptur Projekte Münster 2017, LWL – Museum für Kunst und Kultur, Münster, Germany. June 10- Oct 17, 2017
2016
La forêt illuminée, representing Cameroon at Lumières d’Afrique: 15th festival des cinémas d’Afrique de Besançon, France
Emancipation Stories / Mémoires libérées traveling exhibition. Cameroon, Haiti, Antigua & Barbuda, Senegal, France
2015
La forêt illuminée, representing Cameroon at Lumières d’Afrique: 15th festival des cinémas d’Afrique de Besançon, African Artists for Development Fondation, Paris. 7-15 November 2015
1:54, London, Axis Gallery
Didier Schaub as seen by artists. Tribute to Didier Schaub, Espace Doual’art, Douala / Cameroon
2014
RAVY : Rencontre des arts visuels de Yaounde. Yaounde/ Cameroon
2013
Cameroonian heroes, SUD Salon Urbain de Douala, Doual’art Douala/ Cameroon
MCV2 Art Bakery international exhibition, Doual’art, Douala / Cameroon
2012
Dak’art: Biennale de l’art Africain contemporain, Dakar / Senegal
2011
Bas les masques. Les Am’arts en Seine, Guyancourt, France
Imag(IN)ing cities. Sparck @ Amin Gulgee Gallery, Karachi, Parkistan
2010
La pirogue céleste, SUD 2010. Doual’art, Douala/ Cameroon
2009
Focus 9 Africa. Scu2 @ Volsta Hall – Basel / Switzerland
Une vision contemporaine, acte 2. World Bank – Yaounde / Cameroon
2008
World One Minute Video and Literature. Beijing / China
Ornementation et abstraction dans la peinture bamoun. National Museum of Cameroon – Yaounde / Cameroon
Africa Now. World Bank – Washington, DC / USA
2007
Un certain regard. Cannes Festival – Cannes / France
2006
Dans JEUX il y a JE et EUX. Cercle Kapsiki @ MTN Foundation, Galerie Mam – Douala / Cameroon
Cent livres-objet pour Senghor. Atelier résidence –Toubab Dialaw and Ngaparou / Senegal
Cameroun: une vision contemporaine. World Bank, Yaounde – Yaounde / Cameroon
Salon International de Zurich. Galerie Koussam – Zurich / Switzerland
Mygale Bleue. Galerie Koussam – Cannes / France
2005
Ars & URBIS. Doual’Art – Douala / Cameroon
2004
The Last Pictures Show. Cercle Municipal – Douala / Cameroon
2004
El Boustashy
EL MAX – Alexandria / Egypt
2003
Scénographies Urbaines, Galerie Mam, Douala / Cameroon
La rue congolaise. Atelier résidence – Brazzaville / Congo
Preveti. MSF and WHO – Geneva / Switzerland
Cameroonian touch. Doual’art – Douala / Cameroon
2002
Le 213ème Salon. Espace Auteuil – Paris / France
Group show. National Museum of Cameroon – Yaounde / Cameroon
OFF. 5th edition of the Dakar Biennale – Dakar / Senegal
Right 2 Fight. Sarah Lawrence College – Bronxville, New York / USA
Intérieur extérieur. Cercle Kapsiki @ Goethe Institute, Yaounde / Cameroon
De Douala à Berlin. 2 Y K Galerie Kunst Fabrik – Berlin / Germany
2001
La Bourse aux odeurs. Cercle Kapsiki @ Galerie Syndicat Potentiel – Strasbourg /France
Cabines de Relookage. Cercle Kapsiki @ Selestat Biennale – Selestat / France
Cercle Kapsiki group show. Galerie Ames d’Afrique – Strasbourg / France
2000
Travel Time. Cercle Kapsiki @ Galerie MAM – Douala / Cameroon
1998
Hors les murs. Boulevard de la Liberté – Douala / Cameroon
1996
Cameroon Art. Galeria Artémondo – Saronno / Italy
Iconoclas Master. Goethe Institut – Yaounde / Cameroon
1994
Festival National des Arts et de la culture – Douala / Cameroon
SCENOGRAPHY
2004
El Boutashy (Scénographies urbaines). Gudran, Scur &°K and Cercle Kapsiki – Alexandria, Egypt
2002 – 2003
Scénographies Urbaines. Cercle Kapsiki an Org. Kapsiki Circle and Scur &°K – Douala / Cameroon
2001
Noirs Tout Couleurs Festival de cinéma et art visuel – Pointe-À-Pitre / Guadeloupe
Gilgamesh. Staged by Barbara Bouley, Théatre Gérald Philippe – St Denis, Paris / France
2000
Ekhaya. Staged by Barbara Bouley / Eyala Pena – Bonandale, Douala and Yaounde / Cameroon ; Mantes-la-Jolie (@ Collectif 12), Aubervilliers (@ Laboratories) and Loos en Gohelle (@ Culture Commune) / France
2000 – 1999
Eyala Pena – Bonendale and Douala / Cameroon
PUBLICATIONS AND TALKS
TALKS
2023
Public program | Willie Cole & Hervé Youmbi: A Conversation, University of Iowa Stanley Museum of Art, Le Moine, IA. April 20, 2023
2021
“Serendipitous Intersections and Long Term-Dialogue Art Making and Research as Collaborative Exchanges”. by Silvia Forni & Hervé Youmbi, PAESE conference. June 22, 2021
“Visage de Masques” Participant on panel convened by Lisa Homman, UNC Charlotte “Transparency, Ethics, and Economics: Working with Living Masquerade artists” ACASA conference, June 20, 2021.
Presentation at Bowdoin College Museum of Art, Maine. April 22, 2021, “Visages de Masques”
“Dialogues Across the African World #6. From Ritual to Performing Art and Installation, presented by école des Hautes Etudes en Sciences Sociales and Cité internationale des arts, and run by Dominique Malaquais (CR, CNRS-IMAF), Julie Peghini (MCF, Paris 8 Vincennes-Saint Denis University-CEMTI), Christine Douxami (MCF HDR, Franche-Comté University-IMAF) and Sarah Fila-Bakabadio (MCF, CY Cergy Paris Université-AGORA). February 11, 2021
2019
Artist talk at Iwalewahaus centre at the University of Bayreuth, Germany, about his wide-ranging practice with particular focus on his work Françafrica, on view in the exhibition “Feedback,” curated by Smooth Ugochukwu C. Nzewi.
Artist talk with Julien Bondaz. Hervé Youmbi and beyond. HEAR, Strasbourg, France.
2011
Dialogue with Dominique Malaquais on “Totems to Haunt our Dreams” at the Smithsonian National Museum for African Art, Washington D.C. May 3, 2011
MONOGRAPHS
2011
Dominique Malaquais, Hervé Youmbi, Paris: Editions de l’œil
ARTICLES, BOOKS AND CATALOGUES
2025
Jordan A. Fenton, Lisa Homann, Amanda Maples & Hervê Youmbi. New African Masquerades: Artistic Innovations and Collaborations. New Orleans Museum of Art, 2025
Dominique Malaquais. Faire Art pot Faire politique: Arts, pouvoirs et dissidences. Editions de la Maison des sciences de l’homme. 2025
2024
Jean-Hubert Martin. Nothing too beautiful for the Gods: Altars and Contemporary Creation / Rien de trop beau pour les dieux: Autels e création contemporaine. Fondation Opale, 5 Continents. 2024. p29,-33, 64-67
2022
Sylvan Djache, Cindy Olohou,Nzefa. Dr. Rachel Mariembe. Sur la Route des Chefferies du Cameroun. Du visible a /’invisible. Musée du quai Branly -Jacques Chirac. Skira, 2022. p50-53, p204-205
2021
Se Souvenir du Présent, esprits de l’assemblage, Centre régional d’art contemporain de Montbéliard, (Le 19 CRAC). France. p32, p51, p63
Hey! Do you know Rudolph Duala Manga Bell? MARKK, (Museum Am Rothenbaum). Hamburg, Germany. Eds. Sur Lan Hopmann, Dr. Fiona Sigenthaler
Chika Okeke-Agulu. African Artists : From 1882-Now. Phaidon Press. 2021. p 328.
2019
The burden of memory: considering german colonial history in Africa. exhibition catalogue, l’Espace Cipca, Yaoundé/ Cameroon
Aujourd’hui catalog of exhibition curated by Simon Njami for la banque mondial de Yaoundé and the ministry of culture, Musée national, Yaoundé/ Cameroun
Dominique Malaquais, Silvia Forni, Julien Bondaz. Hervé Youmbi and beyond. HEAR, Strasbourg, France, 2019
2018
Our Anthropocene: Eco Crises. Catalogue for exhibition curated by Gary van Wyk for the Center for Book Arts, New York.
2017
Skulptur Projekte Münster, 2017
2016
Dominique Malaquais, “Playing (in) the Marketfield: Hervé Youmbi and the Art World Maze.” Cahiers d’études africaines. 2016/3 (N° 223) p 364
Silvia Forni, “Masks on the Move: Defying Genres, Styles, and Traditions in the Cameroonian Grassfields.” African Arts Summer 2016, Vol. 49, No. 2: 38–53
2015
Stories tellers Catalog of exhibition at Bandjoun station, Bandjoun/ Cameroun.
2014
“Arts et cultures d’Afrique. Vers une anthropologie solidaire” Under the direction of Myrian-Odile Blin. Edition Press Universitaire de Rouen et du Havre (PURH), Rouen/ France
“CAMEROUN Une vision contemporaine 4”. World bank ; Yaoundé/ Cameroun
2013
Dominique Malaquais, “Into the Vortex.” ART SOUTH AFRICA, pp. 54-59. RSA
2012
Dak’art 2012. Catalogue de la 10ème édition Dakar/ Sénégal
2011
Dominique Malaquais, “Racial France, Take II : Hervé Youmbi.” Public Culture 23
Dominique Malaquais, “Masques rebelles: Hervé Yamguen, Hervé Youmbi.” M.O. Blin, ed., Vers une anthropologie solidaire, Paris, France: L’Harmattan
2010
Regard Bénin, Cotonou, Benin: Ministry of Culture
2009
Une vision contemporaine, acte 2, Yaounde, Cameroon: World Bank
2008
World One Minute Video and Literature, Rotterdam, Holland: Lucette ter Borg
Lionel Manga, L’ivresse du papillon » Lionel Manga, Chamonix, France : Editions Edimontagne
2007
Art Aborigène, Art contemporain d’Afrique, catalogue of an auction held at the Dosne-Thiers Foundation, Paris, France: Gaїa
Un certain regard, Cannes, France: Galerie Koussam
2006
Mygale bleue. Cannes, France: Galerie Koussam
8ème Salon international de Zurich, Zurich, Switzerland
Cameroun, une vision contemporaine, Yaounde, Cameroon: World Bank
Dans jeux il y a je et eux, Douala, Cameroon: Fondation MTN
Nicolas Bissek, Couleurs et toiles, Paris, France: Karthala
2005
Art convention, Douala, Cameroon: Bonaprison Centre for the Arts
Eté 72, Le Mans, France: Centre Culturel de la Sarthe
2004
The Last Pictures Show, Douala, Cameroon: Gondwana
2001
Ngone Fall et al., Anthologie de l’art africain du 20ème siècle, Paris, France: Editions Revue Noire
1999
Nicolas Bissek, Les peintres de l’estuaire, Paris, France: Karthala
EARLY RESIDENCIES (CTD)
2012
Smithsonian Artist Research Fellowship, Smithsonian National Museum of African Art, Hirshhom Museum and National Portrait Gallery, Washington DC / USA
2011
Bag Factory, Johannesburg / South Africa
2010
IAAB – Basel / Switzerland
SPARCK – Douala / Cameroon, Dakar / Senegal, Johannesburg / South Africa
2009
Cité Internationale des Arts – Paris / France
2008
ArtBakery – Bonendale / Cameroon
2006
Village de sable – Touba Dialaw / Senegal
2004
El Max – Alexandria / Egypte
2002 – 2003
New-Bell – Douala / Cameroon
1999
Alliance Française de Dschang – Dschang / Cameroon