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04 04 2020 Bolsonaro dedier au morts du Covid 19 Brasil
Series: Corona curius
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
04 05 2020 le comptable
Series: Corona curius
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
30 04 2020 La renaissance
Series: Corona curius
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
30 03 2020 Premier ligne Dedier a ceux qui ont lutter dès les premier apparition du virus et le Docteur Ai Fan
Series: Corona curius
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
16 04 2020 Dernier souffle dédier aux non assisté
Series: Corona curius
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
27 03 2020 Macron
Series: Corona curius
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
31 03 2020 Nafsy Nafsy
Series: Corona curius
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
01 05 2020 Boris Jonson
Series: Corona curius
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
11 05 2020
Series: Corona curius
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
05 04 2020 Trump
Series: Corona curius
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
Pigment print on Hahnemühle paper
82 x 62 cm / 32 ¼" x 23 ½". Edition: 3+2 AP
26 cm x 19.5 cm / 8 ⅛" x 7 ¾" Edition: 5+2 AP
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I, Melchior I: The transfer of the ashes of the royal family to the church of Saint-Denis on January 18, 1817 ; oil on canvas by François-Joseph Heim, 2017-2021
Le transfert des cendres de la famille royale à l'église de Saint-Denis le 18 janvier 1817
Huile sur toile par François-Joseph Heim
Moi, Melchior 1er series, 2017-2021
Moi, Melchior 1er series, 2017-2021
I, Melchior, I: The coronation of Marie de Medici, May 13, 1610 ; oil on canvas by Nicolas-André Monsiau, 2017-2021
Sacre de Marie de Médicis, le 13 mai 1610; huile sur toile par Nicolas-André Monsiau
Moi, Melchior 1er series, 2017-2021
I, Melchior I: The funeral of Dagobert in 638 ; oil on canvas by Etienne- Barthélémy Garnier, 2017-2021
Les Funérailles de Dagobert en 638; huile sur toile par Etienne-Barthélémy Garnier
Moi, Melchior 1er series, 2017-2021
Moi, Melchior 1er series, 2017-2021
I, Melchior I: Saint-Denis preaching to the Gauls," oil on canvas by Nicolas-André Monsiau, 2017-2021
Prédication de Saint-Denis dans les Gaules," huile sur toile par Nicolas-André Monsiau
Moi, Melchior 1er series, 2017-2021
Moi, Melchior 1er series, 2017-2021
I, Melchior I: Emperor Charles V and King Francois visiting the tombs of Saint-Denis in 1540; oil on canvas by Antioine-Jean Gros, 2017-2021
Charles Quint et Francois 1’ervisitant les tombeaux de Saint-Denis en 1540; huile sur toile par Antione-Jean Gros
Moi, Melchior 1er series, 2017-2021
Moi, Melchior 1er series, 2017-2021
I, Melchior I: Charlemagne blesses the church of Saint-Denis in 775; oil on canvas by Charles Meynier, 2017-2021
Charlemagne fait bénir l'église de Saint-Denis en 775; huile sure toile par Charles Meynier,
Moi, Melchior 1er, 2017-2021
Moi, Melchior 1er, 2017-2021
I, Melchior I: King Philippe III, the Bold, conveys the relics of his father, Saint Louis, to Saint-Denis, in 1271 ; oil on canvas by Pierre-Narcisse Guérin, 2017-2021
Philippe III le Hardi apporte à Saint-Denis, les reliques de Saint-Louis, son père, en 1271; huile sur toile par Pierre-Narcisse Guérin
Moi, Melchior 1er, series, 2017-2021
Moi, Melchior 1er, series, 2017-2021
I, Melchior I: Louis the Fat on his deathbed blesses his son, Louis VII, in 1137; oil on canvas by Alexandre Menjaud, 2017-2021
Louis le Gros au lit de mort bénit son fils Louis VII, en 1137; huile sur toile par Alexandre Menjaud<br
Moi, Melchior 1er series, 2017-2021
I LAMYNE Melchior 1, 2017-2021
Moi LAMYNE Melchior 1er, 2017-2021
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Yupugon, 2014
(Animist prayer container for migrants to Canada.)
Mixed media
Collaboration with Marabout Somekosso, Benin
53.8 x 36 x 16.5 cm
Mixed media
Collaboration with Marabout Somekosso, Benin
53.8 x 36 x 16.5 cm
Forlamy, 2018
(Community protection against Trump, Orban and other extremist leaders worldwide)
Mixed media
Collaboration with Marabout Kunfayakun, Gabon
47 x 11 x 13 cm
Mixed media
Collaboration with Marabout Kunfayakun, Gabon
47 x 11 x 13 cm
Ittoto, 2017
(Ensures family reunification for first-time arrivals to France or Belgium)
Mixed media
Collaboration with Marabout Touré, Mali
32 x 20 x 15 cm
Mixed media
Collaboration with Marabout Touré, Mali
32 x 20 x 15 cm
Fakolly, 2018
(Become a model in Paris without effort; bodily growth and adjustment included)
Mixed media
Collaboration with Marabout Modibbo, Congo
41.5 x 7 x 8.5 cm
Mixed media
Collaboration with Marabout Modibbo, Congo
41.5 x 7 x 8.5 cm
Sao-Mao, 2017
(Ensures arrival at the French border and passage through identity control)
Mixed media
Collaboration with Marabout Sukanko, Gambia
66.5 x 9.5 x 4 cm
Mixed media
Collaboration with Marabout Sukanko, Gambia
66.5 x 9.5 x 4 cm
Aguko, 2019
(Anti-Frontex camouflage, obscures agents’ vision. Also for potential use by Mexicans. Can e used via Wifi)
Mixed media
Collaboration with Marabout Alnuur, Libya
32 x 20 x 15 cm
Mixed media
Collaboration with Marabout Alnuur, Libya
32 x 20 x 15 cm
Bang-Bang, 2014
(Ensures entry into the French Foreign Legion)
Mixed media
Collaboration with Marabout Gefeku
42.7 x 9 x 9.4 cm
Mixed media
Collaboration with Marabout Gefeku
42.7 x 9 x 9.4 cm
M'bappélepé, 2018
(Ensures football stardom and Ballon d'Or trophy)
Mixed media
Collaboration with Fékomanan, Liberia
36 x 22.5 x 8 cm
Collaboration with Fékomanan, Liberia
36 x 22.5 x 8 cm
N'Goum, 2017
(For the migrant to live and prosper, effective worldwide)
Mixed media
Collaboration with Marabout Usman Ultaya, Sudan
27 x 7 x 7 cm
Mixed media
Collaboration with Marabout Usman Ultaya, Sudan
27 x 7 x 7 cm
Ewossu, 2015
(To see the invisible; only for third generation migrants to Russia and other countries)
Mixed media
Collaboration with Marabout Kofu, Congo
Length 23 cm; Diameter 17 x D 8 cm
Mixed media
Collaboration with Marabout Kofu, Congo
Length 23 cm; Diameter 17 x D 8 cm
Massassy, 2014
(Insurance for all personal and property risks, effective worldwide)
Mixed media
Collaboration with Marabout Alvatan, Morocco
107 x 108 x 1 cm
Mixed media
Collaboration with Marabout Alvatan, Morocco
107 x 108 x 1 cm
Ubudu, 2017
(Ensures power and success for well-integrated migrants in the U.S., Canada, and Australia)
Mixed media
Collaboration with Marabout Modu Kara, Senegal
L 62 (var.) x 14 x 10 cm
Mixed media
Collaboration with Marabout Modu Kara, Senegal
L 62 (var.) x 14 x 10 cm
Vodun-Poupé, 2016
(Ensures political asylum in the West without effort, to be burned after sacrifice)
Mixed media
Collaboration with Marabout Fabugan, Benin
38 x 16.5 x 3.7 cm
Mixed media
Collaboration with Marabout Fabugan, Benin
38 x 16.5 x 3.7 cm
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Jean II de France
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The coat and the overcoat are in printed muslin. The belt is made up of twisted beaded fabrics and decorated with rings.
Collaboration: Dressmakers of the Floréal neighborhood of Saint-Denis.
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The coat and the overcoat are in printed muslin. The belt is made up of twisted beaded fabrics and decorated with rings.
Collaboration: Dressmakers of the Floréal neighborhood of Saint-Denis.
Jeanne II de France
Series: Les Grand Robes Royales
height: 3 m / 9 ft
Installation in Fortresse Royale de Chinon, 2016-17
A checkerboard surcoat of brilliant red bazin mixed with two different wax prints, one of which incorporates a fleur-de-lis motif, over a dress of yellow wax print with small floral patterns, overprinted with screen-print on the sleeves.
Collaboration: Maxence Rapetti-Maus.
height: 3 m / 9 ft
Installation in Fortresse Royale de Chinon, 2016-17
A checkerboard surcoat of brilliant red bazin mixed with two different wax prints, one of which incorporates a fleur-de-lis motif, over a dress of yellow wax print with small floral patterns, overprinted with screen-print on the sleeves.
Collaboration: Maxence Rapetti-Maus.
Marie D'Anjou
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation in Fortresse Royale de Chinon, 2016-17
The dress is in wax print with patterns of spades, hearts, diamonds, and clubs; the surcoat has yellow circle motifs against a brown background, arranged into square panels by orange outlines. A cloak in purple and blue wax print is lined with red fabric and edged with red fox fur.
Collaboration: Bouyahmed Zoulika, Toton Harumi, Richard Gaëlle, Fricard Anahit, Chaa Faiza, Malkhassian Soussana.
Height: 3 m / 9 ft
Installation in Fortresse Royale de Chinon, 2016-17
The dress is in wax print with patterns of spades, hearts, diamonds, and clubs; the surcoat has yellow circle motifs against a brown background, arranged into square panels by orange outlines. A cloak in purple and blue wax print is lined with red fabric and edged with red fox fur.
Collaboration: Bouyahmed Zoulika, Toton Harumi, Richard Gaëlle, Fricard Anahit, Chaa Faiza, Malkhassian Soussana.
Constance de Castille, 2016
Series: au Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
Red surcoat of a brilliant red bazin fabric, over a dress of red and green wax print.
Collaboration with Florence Guyon and Morgane Thos.
Photo: Aiman Saad Ellaoui / Ville de Saint-Denis
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
Red surcoat of a brilliant red bazin fabric, over a dress of red and green wax print.
Collaboration with Florence Guyon and Morgane Thos.
Photo: Aiman Saad Ellaoui / Ville de Saint-Denis
Isabelle d'Aragon, 2016
Series: au Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The bib is composed of men’s dress shirt collars and cuffs; the woolen dress is made of dark gray men's suit twill and embellished with a belt made up of mens’ neck ties. Collaboration with Thiphanie Arnaudeau. Photo: Aiman Saad Ellaoui / Ville de Saint-Denis
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The bib is composed of men’s dress shirt collars and cuffs; the woolen dress is made of dark gray men's suit twill and embellished with a belt made up of mens’ neck ties. Collaboration with Thiphanie Arnaudeau. Photo: Aiman Saad Ellaoui / Ville de Saint-Denis
Isabelle d'Aragon
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The bib is composed of men’s dress shirt collars and cuffs; the woolen dress is made of dark gray men's suit twill and embellished with a belt made up of mens’ neck ties. Collaboration with Thiphanie Arnaudeau. Photo: Aiman Saad Ellaoui / Ville de Saint-Denis
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The bib is composed of men’s dress shirt collars and cuffs; the woolen dress is made of dark gray men's suit twill and embellished with a belt made up of mens’ neck ties. Collaboration with Thiphanie Arnaudeau. Photo: Aiman Saad Ellaoui / Ville de Saint-Denis
Jean I de France
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
Both the short overcoat with notches and the dress are made of fabric from Chad, in navy blue and burgundy. The frieze along on the bottom of the dress is inspired by Lebanese embroidery.
Collaboration: Sandra Consani
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
Both the short overcoat with notches and the dress are made of fabric from Chad, in navy blue and burgundy. The frieze along on the bottom of the dress is inspired by Lebanese embroidery.
Collaboration: Sandra Consani
Anne de Bretagne
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
The dress is made of a golden yellow damask opening over a red velvet underskirt. The large wax print sleeves with facing are adorned with patterns reminiscent of the medieval doublet.
Collaboration: seamstresses of the Mod'estime Association for the Saint-Denis Festival
Height: 3 m / 9 ft
The dress is made of a golden yellow damask opening over a red velvet underskirt. The large wax print sleeves with facing are adorned with patterns reminiscent of the medieval doublet.
Collaboration: seamstresses of the Mod'estime Association for the Saint-Denis Festival
Jeanne de Bourbon
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The wax print pattern of the surcoat consists of fuchsia losanges outlined in yellow, worn over a dress of indigo and white wax print. The purple cloak is lined with printed fabric.
Collaboration: Anne-Violaine Svarez
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The wax print pattern of the surcoat consists of fuchsia losanges outlined in yellow, worn over a dress of indigo and white wax print. The purple cloak is lined with printed fabric.
Collaboration: Anne-Violaine Svarez
Berthe au Grande Piedi
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation views, Cathedral of St. Denis, 2016.
The surcoat is a patchwork made from thirty-five pairs of recycled jeans, offset by a gorget of braided wax-print fabric.
Collaboration Aurélie Féjean.
Installation views, Cathedral of St. Denis, 2016.
The surcoat is a patchwork made from thirty-five pairs of recycled jeans, offset by a gorget of braided wax-print fabric.
Collaboration Aurélie Féjean.
Berthe au Grand Pied
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Fortresse Royale de Chinon, 2016-17.
The surcoat is a patchwork made from thirty-five pairs of recycled jeans, offset by a gorget of braided wax-print fabric.
Collaboration Aurélie Féjean.
Installation view, Fortresse Royale de Chinon, 2016-17.
The surcoat is a patchwork made from thirty-five pairs of recycled jeans, offset by a gorget of braided wax-print fabric.
Collaboration Aurélie Féjean.
Berthe au Grand Pied alongside Gisantes
Frédégonde
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
Orange cotton and jersey sweatshirt cotton coat adorned with dark green damask and woolen gray cloth cape, and knit belt. An h'ermine fur is thrown over the shoulders.
Collaboration with: Castille Schwartz
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
Orange cotton and jersey sweatshirt cotton coat adorned with dark green damask and woolen gray cloth cape, and knit belt. An h'ermine fur is thrown over the shoulders.
Collaboration with: Castille Schwartz
Frédégonde (detail)
Blanche de France
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The gray denim dress is offset by a gorget in golden lace and a crown logo. The overcoat in blue jacket fabric is customized with logo pockets as decoration.
Collaboration: Eva-Lys Vessoudevin (dress) and Thiphanie Arnaudeau (cloak).
Installation view, Cathedral of St. Denis, 2016.
The gray denim dress is offset by a gorget in golden lace and a crown logo. The overcoat in blue jacket fabric is customized with logo pockets as decoration.
Collaboration: Eva-Lys Vessoudevin (dress) and Thiphanie Arnaudeau (cloak).
Marguerite d'Artois
Series: Les Grand Robes Royales,br>
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The dress is made entirely made of wax print. The coat is made from a purple and blue wax print patterned with small discs, while the surcoat is in a blue wax print with a stylized peacock feather pattern. The sleeve openings of the surcoat are trimmed in a braided orange wax print, which is also used for the belt.
Collaborator Carole Anne Charpentier.
Installation view, Cathedral of St. Denis, 2016.
The dress is made entirely made of wax print. The coat is made from a purple and blue wax print patterned with small discs, while the surcoat is in a blue wax print with a stylized peacock feather pattern. The sleeve openings of the surcoat are trimmed in a braided orange wax print, which is also used for the belt.
Collaborator Carole Anne Charpentier.
Marguerite de Flandre alongside Gisantes
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The outfit combines different shades of green wax print; the breastplate is knitted with wax print offcuts.
Collaboration: Céline Destouches
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The outfit combines different shades of green wax print; the breastplate is knitted with wax print offcuts.
Collaboration: Céline Destouches
Marie de Brienne
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The surcoat is a checkerboard combination of yellow fabric and a multicolored wax-print, worn over a coat of dark wax-print with yellow fleur-de-lis-like emblems. A fur trim embellishes the left sleeve.
Collaboration Élisa Guibert.
Installation view, Cathedral of St. Denis, 2016.
The surcoat is a checkerboard combination of yellow fabric and a multicolored wax-print, worn over a coat of dark wax-print with yellow fleur-de-lis-like emblems. A fur trim embellishes the left sleeve.
Collaboration Élisa Guibert.
Valentine Visconti
Series: Les Grand Robes Royales
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The dress is in green velvet. The surcoat of yellow and purple velvet enhanced with a fleur-de-lis motif made from "overlapping lace", the contours of which are embroidered with gold thread, and trimmed in white fur that matches the bib.
Collaboration: Loia Benghiat
Height: 3 m / 9 ft
Installation view, Cathedral of St. Denis, 2016.
The dress is in green velvet. The surcoat of yellow and purple velvet enhanced with a fleur-de-lis motif made from "overlapping lace", the contours of which are embroidered with gold thread, and trimmed in white fur that matches the bib.
Collaboration: Loia Benghiat
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