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Sammy Baloji’s aerial views of Lubumbashi reveal the historical colonial separation of the living areas of Europeans and natives for “public health” reasons and record the current chaotic extensions that developed in Lubumbashi in and around this “sanitary cordon”. Baloji’s juxtaposed photographs of mounted flies and mosquitoes are from the etymology collection of the National Museum of Lubumbashi, many collected between 1920 and 1950 in Katanga Province. Mounted at 90 degrees to this patchwork of landscape and etymological obsession is the impetus for the creation of this work, an archival postcard that Baloji found of two men framing a collection of flies and mosquitos they had collected in return for their daily rations.